What Makes a Story Newsworthy? (And Why Most Brands Get This Wrong)

Your company has an announcement, but that doesn’t automatically make for a newsworthy story. 

Your team may have spent months developing a new product, hired an impressive executive, reached a major milestone, opened a new location, or published a new report. Those developments can be important to your business. The question journalists have to answer is slightly different: Why should my audience care?

That nuance is at the core of what makes a story newsworthy. Journalists aren’t looking for announcements simply because something happened; rather, they’re looking for stories that give their audiences a reason to pay attention. For CEOs and marketing leaders, understanding that distinction can mean the difference between an announcement pitch that sits untouched in an inbox and a story that earns coverage. 

What Journalists Care About

When strategizing what makes a newsworthy story, the first question shouldn’t be “what happened,”; it should be “why should anyone care?” Businesses naturally look at news from the inside out. 

A company celebrates 25 years in business, so it wants to talk about its anniversary. A new CEO joins the organization, so the company wants to announce them. A new service or product launches, so the marketing team wants to explain it. Those details are useful, but aren’t the story. 

 A journalist has to look at the same development through the lens of an audience, and find the news nuggets they’ll bite. Is there a trend behind it? Does it affect customers or the community? Does it help explain something happening in an industry? Does it offer new information, a useful perspective, or a compelling human story? 

That audience-first perspective is essential amid a crowded media environment. Cision’s 2026 State of the Media research found that 72% of journalists receive at least 50 story pitches weekly, while 70% say fewer than a quarter of those pitches are relevant to their work. In other words, journalists aren’t really looking for fewer pitches; they’re actually looking for better reasons to pay attention to the pitches that reach them. 

For brands, that means considering not only “why should anyone care?” but also, “what makes this important or valuable to the people we’re trying to reach?” 

SEE MORE: How Companies Actually Get Media Coverage

What Makes a Story Newsworthy? Let’s Start with 3 Questions

There are plenty of traditional factors journalists consider when deciding whether something is newsworthy. For a business leader, though, you don’t need a journalism textbook to learn your next media opportunity. Let’s start with three questions:

  1. Why now? Timeliness gives a story urgency. Something can be new without being timely; for example, a company may have launched a service last week, but the fact that it launched doesn’t automatically give journalists a reason to cover it. Look for the connection to what’s happening now in the environment around you. 
  2. Why should this audience care? Relevance puts the audience at the center of the story. This is where many business announcements miss the mark: A company may have invested heavily in a new initiative, but readers aren’t always interested in the investment itself. They may be more interested in the problem the initiative solves. 
  3. What changes because of it? Impact asks who is affected and what difference the development makes. A new employer can have an impact on a local workforce, or a policy change can affect a specific industry. The strongest stories help audiences understand what is changing around them and why it matters. 

Sometimes, there’s a special ingredient that can make a story worth biting on – something surprising, unusual, human, visual, or local. A decent pitch can check every traditional box and still need an interesting angle to make someone want to read about it. 

Examples of Strong Angles vs. Weak Angles

So, what does this look like in practice? Part of learning the difference between a weak angle and a strong one comes down to whether the pitch stops at what the company did or gets to why the audience should care. Let’s consider a few common announcements: 

    • Weak angle: A company hires a new CEO and announces the executive’s background, title, and responsibilities. 
    • Stronger angle: The leadership change reflects a larger shift in the industry, the evolving role of CEOs or a workforce trend affecting similar organizations. 
  • Unique element: The new hire has a compelling story, is the first of their kind in this role, or brings something legitimately different to the position.

 

    • Weak angle: A company launches a new product and shares its features, specifications, and availability. 
    • Stronger angle: The product launched by a company reflects a change in how consumers are approaching a problem, and the company can offer expertise on why that behavior is changing. 
  • Unique element: The product is the first of it’s kind, the only what that does _____, or has a compelling backstory on how it came to fruition.

 

    • Weak angle: A company celebrates 25 years in business.
    • Stronger angle: Twenty-five years of experience gives the company a unique perspective on how its industry has changed, where it’s headed and what other businesses should be watching.
  • Unique element: In those 25 years, what are the human stories that make the anniversary worth talking about

 

    • Weak angle: A company releases new research and summarizes the findings.
    • Stronger angle: The data reveals a surprising behavior, emerging trend or overlooked problem that gives journalists something meaningful to explore with their audiences. 
  • Unique element: The data found something surprising, a major shift from previous data, or it’s the only dataset of its kind.

Sometimes, the company doesn’t need to be the headline. It can be the source that helps explain the headline. The announcement is still important, because it gives the facts, access to experts, data, or a timely development that can open the door to a larger conversation. 

How to find your story – put a Company Update or Announcement Through the “So what?” Test

Here’s another handy tip for asking what makes a story newsworthy: Once you have an announcement on the table, give it a quick reality check by asking, “so what?”

  • Your company opened a new location. So what?
  • You hired a new executive. So what?
  • You won an industry award. So what? 
  • You launched a new product. So what?

That simple question isn’t meant to diminish the accomplishment or update. It’s actually a means to keep digging until you find the sweet spot for sharing a potentially newsworthy story outside your organization. 

How to find your story – after asking “So what?” 

Once you’ve asked “So what?” and realized the company’s announcement itself may not carry enough weight, the next question becomes, “Where’s the story?”

Often, it’s hiding in the context around the announcement. Look at what’s changing in the industry. What are customers doing differently? What problem is becoming harder to ignore? Is there a conversation already happening that your company has a useful perspective on? What makes a story newsworthy is often bigger than the announcement. 

Sometimes, the most interesting part is the detail your company almost overlooked because it’s so familiar internally. That’s why finding a newsworthy story requires a degree of distance. The people closest to a business naturally understand why a development matters; they’ve seen the work behind it, know the history, and understand the decisions that led to it. 

An outside audience doesn’t have that context, and a journalist has to make a quick judgment about whether the subject belongs in their coverage. The task, then, is to find the connection between the company’s expertise and the audience’s interests. That’s where experienced media relations can make a difference.

SEE ALSO: Relationship-First Pitching: Why Your Media Outreach Isn’t Working – and How Agencies Fix It

Experienced Media Relations Pros Find the Story in News

At Fletcher Marketing Communications, we’re looking beyond the announcement to understand what it says about the business, the industry and the people affected by it. We’re looking for the question your potential audience might already be asking, the shift worth paying attention to or the insight that gives a familiar topic a fresh angle. 

That requires more than knowing what makes a story newsworthy. It also requires empathy: the ability to step outside the organization and see the story from the other side. What does the journalist need to know? What will make their audience pay attention? Why would someone who has maybe never heard of your company care about a certain development? What would make a story useful, timely, or meaningful to them? 

Those questions change the work.

A company can have an important announcement and still miss the opportunity right in front of it. An experienced media relations team can help uncover the opportunity by looking at the news through the eyes of the people who will ultimately decide if it’s worth their attention. 

Our media relations team brings an outside perspective, decades of newsroom experience, and strategic judgement to help organizations identify story opportunities, develop the right angle and connect their expertise with the conversations audiences care about. 

Your organization may not even know you are newsworthy; we can help you see the story – let’s talk. 

Melanie Russell

Melanie Russell

Senior Communications Manager

Melanie Vasquez Russell is a senior communications manager at Fletcher Marketing Communications with a background in journalism, bilingual storytelling, and digital content creation. She helps brands uncover compelling narratives that translate into earned media coverage.